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RTRM Featured Music: Monday 17th September 2018

Monday 17th September / posted by Will Backler

NO NAME - ROOM 25 

Bursting out of south Chicago onto the underground hip-hop scene in emphatic fashion in mid-2016 with her debut mixtape Telefone was a then unknown Fatimah Warner, AKA Noname. a stunning release of jazzy, neo-soul influenced production with Noname's witty, conscious, clever lyrics and smooth flow proving a winning combination. Fast forward two years and Noname is finally back, this time with her debut studio album, Room 25. Rather than rushing to cash-in on the success of Telefone, Noname took her time to craft an exceptional release, with the two years seeing her her touring with a full band and further honing her craft and refining her writing and rhyming skills. With Room 25, Noname cements her status one of modern hip-hop's most interesting and diverse MCs, packed with intricate rhymes that are often long, quick and polysyllabic, while lyrically taking on themes of racism, gentrification, misogyny in hip-hop, mortality, love, loss and more, across 11 tracks of jazzy, alternative r&b. Room 25 makes one thing certain - Noname is definitely a big name these days.

SKULLCAVE- FEAR

Fear is a universal feeling amongst humanity that is usually perceived as a negative, causing a fight-or-flight reaction. What if instead it could be channeled into a creative outlet? This is just what local Doom/Post-Metal 3-piece Skullcave have done with their breathtaking debut album, Fear. While just 5 tracks, Fear is truly a full-length, weighing in at 45 minutes of deep, doomy goodness paired with elements of 90s grunge and shoegaze, where ethereal instrumentals are paired with melodious vocals, in a pleasingly organised raucous mix. Easing the listener in with opening track Escape, a beautiful, soft, instrumental piece, makes what is yet to come feel all the heavier and more powerful, as the rest of the album comes at you head-on, packed with fuzzy, distorted guitar tones playing massive, thunderous riffs, urgent, crisp drumming, and flowing, groove-laden bass lines, paired with alternating clean and dirty vocals. The result is in an idiosyncratic, compelling album of innovative, heavy sounds, proving that Fear can indeed be a good thing.

All live musical performances are included in our podcasts with the express permission of artists, who reserve all other rights in their music. All music used in our podcasts is licensed under an APRA Community Broadcasting license agreement.

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