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Josten Myburgh

Experimental musician, composer, saxophonist, field recordist and gig organiser active in the scene since 2013.

About

Get to know Josten Myburgh

I’m a musician active internationally in experimental music as a player, composer and organiser. I’m mostly known as a saxophone improviser, and have played at festivals in France, Mexico, Norway, Czechia, South Africa, Malaysia and around this continent. Over the years I’ve been in the bands Ghost Gum Reverb, Breaking Waves, Nika Mo, residues and Land’s Air.

I direct an exploratory music festival in town called Audible Edge, and also helped start the Walyalup Weekend of Improvised Music, alongside numerous other concert series and workshop programs since 2013. The local scene is very important to me, and I think of being part of looking after it as part of what makes making good music possible here: you gotta tend to the soil to grow delicious things.

I started tuning into RTRFM once I heard about Difficult Listening. As a younger person growing up outside of Boorloo I was embarrassingly only interested in things that were experimental, but over time I’ve become more and more just interested in anything that’s tender, emplaced, committed, open, inventive, bizarre, unhinged, cared for or meticulous enough. My proclivity for weirdness remains but I’ve become more of a regular listener to all sorts of programs on the station and its obviously on in the car most of the time when I find myself driving.

Presenting on RTRFM is a meaningful activity: anyone who has listened to the station for a while knows both how invaluable and special community radio of this calibre is, and also ultimately how fragile it is. There is less and less space for alternative expression in today’s world. I genuinely think that by keeping things like this alive we are maintaining the possibility to think other thoughts than what capitalist superstructures ordain us to. Without this the landscape would be both barren and increasingly difficult to change. So, this fun, silly thing we volunteer to do is very real I reckon.

How did you become involved in the station?

I’ve had an interest in radio as a creative medium since seeing the radiophonic artist Alessandro Bosetti perform as part of Liquid Architecture Perth in 2014. I later went on to study with him in France a few times, and toyed with the idea of properly “getting into” radio art. Logically I then wanted to join in on presenting live radio and as a long-time listener of RTR it seemed like the obvious place to go next. Whilst I’ve never made radio a core part of my art practice as such, the idea of it as a medium to play, experiment and be weird with persists in my approach to presenting.

I had a long connection with Difficult Listening through being a guest many times talking about gigs I was putting on or playing, and am very happy that the team received me there so enthusiastically!

Tell us about your most memorable gig, either attending or playing at?

Catherine Lamb’s two-hour string quartet “Divisio spiralis” played by JACK Quartet at the Pierre Boulez Saal in Berlin made my whole body feel like it was vibrating for hours after the show. James Rushford at Colour Nightclub in Naarm was similarly spiritual; the whole venue was lit up in red, the walls felt like they were fluorescing crimson with the light, I was drinking a red cocktail that tasted like a eucalyptus tree and the music felt like it was going to tear the walls down.

What is your favourite show (other than your own) on RTRFM?

Rhian Todhunter’s Out to Lunch nails it frequently.

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